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Monthly Archives: May 2013

I’m in a retirement building and want to make some upgrades to my kitchen including new countertops and floor, a back splash and an eating bar. I don’t think this will cost more than $5,000. What do you think? –GL, New York NY

30 Thursday May 2013

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Well, my first question is whether or not you own the apartment? From your letter, I gather you don’t, which can make this tricky. Retirement communities, especially rentals that are built with religious or government money are generally not open to any structural or complex decorative changes. For example, it is unlikely that you would get approval to take down and replace existing kitchen cabinets even though you aren’t moving any walls or plumbing. Ditto the counter tops. Adding tile over tile, or even to cover a bare area of sheet rock behind the sink and the stove area will likely require some kind of approval. And, while you’ve indicated that you already have permission to change the flooring (except for adding wall-to-wall carpet), as a designer I would have to carefully question anything that would be nailed or glued down over an existing floor.

Changing a bathroom is likely a no-no unless the whole building is being upgraded and you’re allowed to have some say; but the good news is that an eating bar is probably fine! This can be bought or built to match or coordinate and can be secured to a wall with screws in a way that’s strong but not permanent

Before doing -or arranging to do- ANY work, I would suggest contacting your building manager. There may already be an Alteration Agreement in place that would outline what, exactly, you can and cannot do. If no Agreement exists, your building manager or management should be able to issue you a statement on company letterhead approving or denying your right to make the alterations you are suggesting. BE SPECIFIC in your request. If you want to add a back splash, be clear about where, i.e. “behind the stove and sink area.” I realize this seems a bit obvious, but if an inspector -with an 8th grade education- comes to your apartment and believes the tile should be ‘other’ than where you’ve located it, you could have to take it down, repair the wall and may even run the risk of loosing your lease!

Having your request and its approval in writing BEFORE any work commences protects everyone!

As to the work costing $5000. That really depends on what is allowed and the materials you choose to complete the job.

Take a step back, and get all the pieces of the puzzle laid out. Mistakes are more expensive to correct than doing the job right in the first place!!

© 2012-2013 Design Discourse / Ask Kent and Co. All Rights Reserved

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The News From the 2013 International Contemporary Furniture Fair

22 Wednesday May 2013

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Ok, so I lied. I said we’d get back to questions this week but pleasantly, Surprisingly, HAPPILY and UNEXPECTEDLY there’s news to report from the Fair, by which I mean the International Contemporary Furniture Fair held at the Jacob Javitz Center in New York this past week.

After the general disappointment of KBIS in New Orleans I set my sites low for this show.

Meanwhile, back at the ranch, the phone has begun to ring with potential projects again, the New York Times is touting the construction of dozens of luxury towers -one penthouse selling in an unfinished building for $84 million- on Park Avenue, and pent up buyer’s frustration is stretching the seams…according to vendors at the show!

The biggest surprise at the Fair (for me) was LIGHTING!! There’s always good lighting…and even a few GREAT pieces, but this time the offerings from both the US and abroad were…well…illuminating (sorry couldn’t help myself)!

The true standouts came from Portugal with prices in the reasonable to believable range. Here’s some of what we saw:

This chandelier was made entirely out of glass beads. It’s companion wall-sconces were equally beautiful and timeless.

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These were like having indoor fireworks…and made us smile!

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The young designer of these pieces is SO talented…and sweet. You want him to succeed. He sells a lot to the Russian and Middle Eastern markets which respond to his ornate, yet contemporary designs. I have to say, his work was my favorite flavor at the Fair!

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This fixture reminded me of subway cars going in multiple directions. The bulbs are neon and can be any color you like…

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Loved this…for color…for originality…because it’s made in Brooklyn and because it reminded me of eucalyptus leaves!

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The other surprise at the Fair was the use of COPPER. We saw it everywhere: in fixtures, faucets and furniture. What a refreshing change from brushed nickel and oil rubbed bronze!! Also watch out for “Champagne” finishes in appliances: a warmer, golder stainless steel…but I digress…

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Other than this, I cannot say a particular color, like lime or navy or gray stood out…

As far as furniture went, there was limited appeal; but here are the pieces that inspired envy and aspiration:

These stools were fabulous. With storage inside and a tray top that converts to a base for a cushion on top, it had hidden wheels beneath a beautifully finished wood exterior. As for the cushions -at a hefty extra charge- they didn’t look like much at first but on closer inspection, they were made like handbags with top-stitching and heavy weight leather…and manufactured with the same materials that Fendi uses…which is why they cost what they do!

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This sofa was the bees knees as far as I was concerned. Made of fiber glass, it would be great outside at the pool, in a trendy hotel lobby or on either side of a fireplace in a New York apartment. Covered in faux fur, there lots of other luscious options. Only negative: needs more padding for the bony-bottomed among you!

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And more Copper…

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Our friend, artist Pam Smilow, was at the show unveiling designs created in the 50’s and 60’s by her father. Here’s one example…

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For a bit of whimsy…or if you know the right people…Charm and Whimsy…we liked these wall-hung shapes in bright colors…and can imagine them flat on their backs marching down a dining room table!

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ICFF is not typically a kitchen and bath event, however we were impressed with this firm’s efforts to maximize unused counter and over-the-sink space. They also manufacture really cool, textured doors for older Ikea cabinets.

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Back in the copper category, we saw some GORGEOUS copper faucets. I LOVELOVELOVE this one:

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Finally, another surprise, is the resurgence of laminate products at a certain level. OCTOPUS produces some high octane beauties with life-like wood grain, snake-skin, bark, alligator and others too sensual to mention! I can see using these for pool houses, outdoor kitchens and commercial applications.

All in all a good show…and lots to inspire exciting design for years to come!

© 2012-2013 Design Discourse / Ask Kent and Co. All Rights Reserved

Plantation Hopping in New Orleans

15 Wednesday May 2013

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Our first few days south of the Mason-Dixon were spent touring Creole Plantations, one accessed by air-boat via the bayou. Alligators tried to climb in for a free ride and a red-blooded meal, making for interesting travel!

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Bayou’s were dug by hand, both by slaves and by Napoleon’s army as a way to access the cypress forest interior. Once the logs were culled, they were floated either up or down river to their destination.

Interestingly, Louisiana had an “Enslaved People’s Bill of Rights” thanks to the Napoleonic Code.  Slaves worked from sun-up until 3 p.m.  After that they had to be paid!  Sunday’s were a day of rest, but if a slave chose to work, or to rent his/her services out, they would be paid for that time as well.  If a slave saved enough of their earnings to buy their freedom, their owners had to accept the payment and set them free.

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Cypress was the wood of choice for floors and construction because it didn’t warp in the humid climate.

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Creoles (as opposed to Cajuns, who were actually Canadians) were the European whites and local free people of color who settled the Vieux Carre or French Quarter of New Orleans.

They built their plantations up and down the Mississippi, 350 between New Orleans and Nachez. Creole construction determined that hallways and stairwells were places where bad air, “ill humors” and ghosts collected and they therefore did away with them. All staircases were outside the dwelling and all rooms interconnected in an enfilade (some of the homes on our tour were added to over the years and stairways were enclosed with the house).

All homes faced the river and had an allee of Cypress or Oak trees (think Twelve Oaks from Gone with the Wind) along the path from the door to the water’s edge.

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Inside, the ground floor, usually brick, was used for storage or sometimes as a convertible formal dining room/ballroom. General living was conducted on the 2nd floor to catch the breezes from the multiple French doors that opened to verandas encircling the house.

Cielings were often 11-15 feet high, carrying the heat aloft. Attics could have a 25 foot pitch, drawing heat up and away from the inhabitants. Almost unbelievably for homes built between the 1820’s and the 1850’s, there was cold, running water! Cisterns were mounted on roofs and in towers near the house which piped water to the kitchen (if it was in the main house) and to water closets tucked into bedroom corners. In one house there was even an early shower!!

Materials and supplies were shipped down river, arriving literally at the front door. Louisiana plantations were completely self-sufficient raising their own fruit, livestock and vegetables. Cash crops included indigo and rice, but not cotton, as the climate is too wet.

Our tours included visits to San Francisco Plantation, Houmas House (named after the local, indigenous people NOT crushed chick peas!) and Destrehan Plantation. Pop up your parasol and come out in the mid-day sun with us as we tour these aging, but hardly faded beauties.

SAN FRANCISCO PLANTATION

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Bette Davis and Olivia de Haviland used these stairs in the 1964 film “Hush, Hush Sweet Charlotte.”  Miss Davis actually lived at the house during filming and stayed in one of the bedrooms!

HOUMAS HOUSE PLANTATION

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At age 14 young men were separated from the main house and billeted in their own “bachelor” cottages.  Thought of as adults, they were treated as such and smoked, drank, had their own servants and took a role in the running of the estates.  Here’s an example of one below…

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DESTREHAN PLANTATION

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Destrehan was the only property we visited that had intact slave quarters and out-buildings.  Unfortunately, they were not original to the house but brought and re-settled from other properties.

And while all the houses were beautiful, you couldn’t help but feeling a bit sad…knowing their history…and the fates of so many now Gone with the Wind!

© 2012-2013 Design Discourse / Ask Kent and Co. All Rights Reserved

New Orleans: design district shopping

08 Wednesday May 2013

Posted by askkentandco in Uncategorized

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We spent part of two days in New Orleans’ “design district” located along Magazine Street, a pleasant thoroughfare of low, two and three story buildings that ran for several miles between Jackson and Jefferson Streets in the Garden District.

Historically, a “magazine” is where a military unit maintains an arsenal of its weaponry and where it drills and parades its soldiers. Given the length of this particular street, it was also meant to show off that military and its might…in numbers and guns. This fact seemed to be lost on the locals I questioned about it.

More appropriately, the French word “Magasin” which translates to the American equivalent “department store,” fits the purpose and use of the street today: the only weaponry required being an American Express Card!

It was a good thing that I broke up this part of our trip. There was a lot of walking, and while the streets are flat and easy to navigate, the sun can be intense in the stretches where the trees thin out (a nice respite was the the corner of Magazine and Napoleon where there was leafy park with a ball field in the middle)! Too, Sundays are slower and lazier than the rest of the week; and while I don’t believe Blue Laws are in force, many of the shops are closed on Sunday and Monday including the yummy and superior French Patisserie, La Boulangerie at 4600 Magazine.

Feeling peckish, we’d stopped earlier at Surrey’s Cafe Uptown, 4807 Magazine, for a more proper lunch in a setting more in tune with 1923 than 2013. Charming and friendly, this “find” had “real” food at “real” prices. The portions were generous and the service came with a smile.

Clothing, accessory and hair/skin care boutiques dot the landscape in and between all the home furnishings establishments; but truth be told, there isn’t much to write home about. Sundresses, peddle-pushers, straw and canvas totes, and a whispy, unfinished looking cocktail frock or two comprise the bulk of the offerings. Vintage and Flea-market shops seemed to be the popular alternative. A local told me she orders all her clothes on line because there’s no where to shop for fashion except Saks! Two exceptions to this may be Wedding Belles and Baby Bump…though I suspect not necessarily in that order!

Other than some good “antiquing” I had no expectations of what I would find along the way. A bit surprising -and then again not- prices were in line with New York: a Flo Blue plate for $135 and an Ivory handle serving fork for $80.

At our first stop, Libby Bonner greeted us warmly at British Antiques, 5415 Magazine Street. Her shop was choc-a-block full of silver, china and 18th and 19th century furniture. Everything gleamed; and this eagle eye found no dust anywhere! Making us feel right at home, Libby spent more than an hour helping us make selections and sharing anecdotes about the store, her life and her experience. Turns out she has a son, recently re-located to New York!

At 4112 we found the first of a precious few shops catering to the contemporary and fashion forward customer. Tanga Winstead of Villa Vici has created a warm and inviting shop of mostly white, gray and stone colored furnishings and accessories that got our juices going. Interesting materials in interesting combinations had us lingering around the well chosen selection of Mitchell Gold sofas, chairs and ottomans. Most intriguing were her choice of light fixtures, which were among the most exciting things we saw on the whole trip!

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A bit further down the road, we visited Ann Koerner Antiques, 4021 Magazine Street, specializing in a wonderful array of Swedish 18th and 19th century pieces. When we entered the shop several ladies were seated in a semi-circle as though in the middle of a tea party! I felt we’d entered something VERY private, but all assembled, sensing my hesitation, couldn’t have been more welcoming. Apparently, it’s not unusual to just drop in, set a spell and have a chat in New Orleans! How different from our rush-rush, in-out, fast-track lives up north!!

Next door at 4017, we visited with Karla Katz of Karla Katz & Co. who features French and Italian period furnishings and had a number of gorgeous chandeliers. Turns out Karla did a stint as a designer in New York but is now happily settled back home.

Our next stop, Shawn Smith Home at 3947, turned out to be our “spiritual” touch stone on the street…not that we knew that entering his shop/design studio. Beach-washed furnishings, shells, candles and accessories boldly highlighted by objects in black greeted us as did a sweet, young salesperson who apologized for the mess of packing boxes strewn about: a new shipment of merchandise had arrived. In our minds, a most exciting moment. Tradition with transition and a modern accent made for happy browsing as we went deeper into the shop and up some shallow steps where we were greeted by the man himself! Personable yet direct, Shawn drew us into conversation about shoes, hometowns, clients, project work and design education. 40 minutes flew by before we exited to the street to take a call from the office. Several minutes later, Shawn and his design assistant strolled by, stopping for a moment to reconnect, then going on their way, only to meet up with us again in another shop. New Orleans suddenly felt a bit more like home, with friends on every corner!

In that vein, a Hurricane Katrina to New York transplant, Elizabeth Sullivan turns out to have spent a year living only 2 or 3 buildings north of me in New York! She returned home to NoLa to found Interior Designs, Inc. , 3814 Magazine, a mecca of transitional furnishings, lighting and art mostly in “griege” tones. Standouts in her shop were these two amazing shagreen (stingray) covered chests. And no, you don’t want to know how much…even on sale!

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Around this time our energy began to flag, so we stopped into Smashburger, 3300 Magazine, for a snack. Too close to dinner to sample the juicy looking burgers and tempting french fries, we settled on a chocolate malt. It really hit the spot as we headed into the home stretch.

Sadly, both times we shopped the street, Perch -at number 2844- was closed. A trendy design studio, we were really interested to get inside for a look. A phone number on the door suggested we could make an appointment. Being New Yorkers we were interested NOW…not 10 minutes from now & moved on to look in the windows of the also closed Dunn & Sonnier florist and antique shop which had a STELLAR pair of gold and crystal girandols in the window…somewhat out of our budget!

A few antique malls later, we made our last stop at Spruce Home & Garden at 2043. A stylish mixture of indoor, outdoor, slick contemporary and hunting lodge oddities (think deer hoof bathroom hooks), they also seemed to have T-shirts and some interesting jewelry.

Well nothing ventured, nothing gained…but I’d say we covered the waterfront here! Lots to see and do…including a stop at the Bank of New Orleans at 5435 to refuel!!

Next week: a tour of three Creole Plantations

© 2012-2013 Design Discourse / Ask Kent and Co. All Rights Reserved

Spotlight New Orleans: and now for something completely different!

01 Wednesday May 2013

Posted by askkentandco in Uncategorized

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Hi Everyone! Know I’ve been a little scarce lately. I scalded my main typing hand with hot oil while making fried chicken last month, spending 5 hours in the ER. A few days later, all of my email, email contacts and email folders were wiped out by a hacker. So it’s been a bit of struggle getting back up to speed!

Since then I attended KBIS, the largest kitchen and bath trade show in the country with some 400 vendors showing their wares. I had hoped to bring you back all kinds of new product introductions and insights into the future of kitchen and bath design, but honestly, I was a bit underwhelmed.

What did intrigue me was the host city, New Orleans. I had never been before and was fascinated by what I saw and experienced, so over the next few weeks I’ll be sharing some of what I saw and did during my week south of the Mason-Dixon. Following that, we’ll return to our more traditional Q&A format.

Today we’re going to look at some of the houses in the city’s famed Garden District; but before we do that, I feel it appropriate to begin with Katherine Hepburn’s famous monologue from 1937’s film Stage Door…

“Hello mother, hello dad, the calla lillies are in bloom again. Such a strange flower the calla lilly, suitable for any occasion, I carried them on my wedding day, and now, place them here in memory of one who has died…”

This, for me, sums up New Orleans quite well. Callas were in bloom everywhere…and yet…there was also a sense of death about this place…”to poor for paint and too proud for white wash.”

I spent a few days with friends in this house. When the driver pulled up, I gasped and said, “I didn’t know they lived at Tara!”

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At almost 6,000 square feet, they call it “the big house” for a reason. Built in 1854 for a cotton merchant, it has many of it’s original features including the dining room’s electrified gasolier (seen below) and the sexiest spring on a hinge I’ve ever seen, copper-plated and on the swinging door from the kitchen.

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I was billeted in the 1000 square foot guest house at the back of the landscaped property, which while bucolic, is still very much in the middle of the city. Ann Rice’s former home is around the corner, as is Nicholas Gage’s.

Most nights a mocking bird shrieked to the moon light, all night, as I creaked open the iron gate to the property and tip-toed through the garden, around plantings, planters, hedges and fountains. The book/film Midnight in the Garden of Good and Evil was VERY present as I keyed my door.

I didn’t think to take a picture of my little house which I mostly saw late at night, or maybe, I was just too creeped out that the shutters were nailed shut? During a thunder and lightening storm one night the flash breaking through the louvres kept me up and listening for ghosts and ax murderers.

Over-all New Orleans is amazing for the wealth of period homes that are still standing, block after block, 150+ years later. During the mid-19th Century, New Orleans held 1/3 of the nation’s entire monetary value, which explains a lot. In every direction you go there’s one magnificent property after another. The house directly across the street was undergoing a complete gut, large addition and a dig for a new swimming pool.

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Working our way around the neighborhood, we saw the following homes in various states of repair and refurbishment. Some were pristine, some down-at-the-heels. All wonderful!

Tara in town anyone…

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Spanish Style…

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Yalla (yellow) as forsythia…

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Sea Captain’s folly…

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Creole style…with the stairs outside and no interior hallways…

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Hidden among the elms…

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Ready for rockers on the porch…

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Victorian Brick-A-Brack in a really awful salmon pink…

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This house was SO BIG that I couldn’t get into one shot. Honestly, I think it looks like a bank…a casino…or a brothel

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Elegance is not determined by size…

 

More Victorianna…

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This was just a beautiful house… The one below has great Gothic touches at the windows and along the porch

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In the end, wouldn’t you just want to come home to this?

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NEXT WEEK: Shopping Magazine Street a/k/a the design district

© 2012-2013 Design Discourse / Ask Kent and Co. All Rights Reserved

 

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